Gigablast supports various specialized searches and Boolean algebra operators. Gigablast went into beta form on July 21, 2002. It was originally designed to index up to 200 billion web pages. As I watch, it’s almost as if I’m listening to someone else’s music, broadcast through their headphones as I sit by them on the Tube – I suppose because there is, ironically, something slightly tinny about its desperate desire to be real.Matt Wells worked for the Infoseek search engine until he left in 1999, to start working on what would become Gigablast, coding everything from scratch in C++. But my admiration thus far has not tipped over into warmth. And I love the comical, melodramatic way Arabella talks to her best mate, Terry (Weruche Opia).
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It’s bracingly straightforward in the matter of human bodies: I can’t remember ever having watched a TV drama in which a character is seen attaching a sanitary towel to her knickers. Its particular freshness makes me feel, sometimes, as I did about Queer As Folk when it came out (more than 20 years ago now). I May Destroy You is often exhilarating.
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It’s only a shame that she then rather overcooks this by having Arabella’s friend, Kwame (Paapa Essiedu), who is gay, go through something similar himself only days later. She finds agency in her wit and determination, a powerful sense of perspective, and the certain knowledge that she’s not the only one – a point Coel makes rather drolly by depicting a whole row of women in gowns waiting for their swabs to be taken by police doctors (even more daringly, they look a bit bored). Arabella is traumatised her concentration is even more shot now. What’s brilliant, though, is the way that Coel the writer never lets her depiction of what has happened descend into cliché. Events and Offers Sign up to receive information regarding NS events, subscription offers & product updates. Ideas and Letters A newsletter showcasing the finest writing from the ideas section and the NS archive, covering political ideas, philosophy, criticism and intellectual history - sent every Wednesday. Weekly Highlights A weekly round-up of some of the best articles featured in the most recent issue of the New Statesman, sent each Saturday. The Culture Edit Our weekly culture newsletter – from books and art to pop culture and memes – sent every Friday. This Week in Business A handy, three-minute glance at the week ahead in companies, markets, regulation and investment, landing in your inbox every Monday morning. Green Times The New Statesman’s weekly environment email on the politics, business and culture of the climate and nature crises - in your inbox every Thursday. The New Statesman Daily The best of the New Statesman, delivered to your inbox every weekday morning. World Review The New Statesman’s global affairs newsletter, every Monday and Friday. Morning Call Quick and essential guide to domestic and global politics from the New Statesman's politics team. Sign up for The New Statesman’s newsletters Tick the boxes of the newsletters you would like to receive. Episode three is nothing but sex and drugs, and while I’m all for the former, there’s nothing half so boring as watching people get caned on screen (notable exception: Benedict Cumberbatch in Patrick Melrose).
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I watched four episodes of I May Destroy You back-to-back, and this might be one of those series that should be taken in small doses. It’s possible, however, that I’m just suffering from overkill. While one, done right, draws an audience in, the other, laid on too thick, may simply wear it out over time. What she and the BBC seem to have forgotten is that originality and edginess are not the same thing. There isn’t a writer alive who doesn’t secretly long to hear the words: “Do what the hell you like.” But artistic freedom is a mixed blessing – for the viewer, if not the creator. (In a recent interview, she said that those who commissioned her removed her toddler reins, the better that – I paraphrase slightly – she might “shit and vomit” everywhere.)
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The writer and actor Michaela Coel must have been thrilled to discover that the BBC was willing to let her take her 12-part drama I May Destroy You (8 June, 10.45pm) in whatever direction she liked.